**Executive Summary**
Held on June 18, 2026, during the 19th Mumbai International Film Festival (MIFF), the "Many Forms, One Vision" round table discussion addressed the evolving role of festivals in promoting diversity, innovation, and community engagement. Industry veterans highlighted the global shift toward authentic, mother-tongue storytelling and the necessity of preserving cinematic heritage through restored classics. The session emphasized the need for institutional support for niche genres like animation and documentaries while navigating the impacts of digital expansion and artificial intelligence.
**Key Points / Main Content**
**The Evolving Role of Film Festivals**
* **Community and Culture:** Festivals serve as a natural extension of the film society movement, fostering a collective viewing experience that strengthens film culture and encourages deep engagement.
* **Platform for Diversity:** These events provide essential visibility for experimental, non-commercial, and indigenous cinema that may not find space in mainstream commercial circuits.
* **Curatorial Function:** Festivals identify and showcase high-quality short-form cinema and introduce audiences to lesser-known works of legendary filmmakers.
**Authenticity and Storytelling Trends**
* **Local to Global:** There is an increasing trend of filmmakers creating content in their mother tongues, with authentic narratives from small towns successfully transcending geographical boundaries.
* **Emotional Resonance:** Despite the rise of new technologies, panel members noted that audiences respond primarily to emotional authenticity and conviction rather than the tools used for production.
**Sector-Specific Insights**
* **Animation:** Indian animation is gaining international visibility but faces barriers in financing and distribution due to being stereotyped as children's entertainment.
* **Documentaries:** This medium is vital for driving public discourse and preserving historical consciousness, though creators often work with limited resources.
* **Short Films:** Growing in popularity, short films meet the demands of contemporary lifestyles while offering meaningful, condensed storytelling.
**Technological Impact and Preservation**
* **Digital Expansion:** Digital platforms have eased global film submissions, yet this rapid expansion brings challenges regarding quality control and regulation.
* **Innovation:** Tools such as AI, VFX, and motion graphics are expanding creative possibilities, as evidenced by MIFF’s dedicated AI film section.
* **Film Preservation:** National Film Development Corporation (NFDC) initiatives emphasize that preserving and restoring classics is essential to keep cinematic history accessible to future generations.
**Impact Analysis**
**Filmmakers**
**Impact**
Creators have more opportunities to share stories through digital platforms and specialized festival sections for AI and indigenous films. However, they face challenges in maintaining quality and navigating international markets.
**Action Required**
Filmmakers should focus on authentic storytelling and develop robust intellectual property (IP) strategies to ensure commercial and creative success.
**Animation and Documentary Creators**
**Impact**
These sectors face specific barriers related to financing, distribution, and public perception regarding their target audience and resource limitations.
**Action Required**
Creators should seek mentorship, institutional support, and skill development to realize their potential and connect with global audiences through festival circuits.
**Film Institutions and Festival Organizers**
**Impact**
Organizations like the NFDC and festival directorates are responsible for maintaining the values of artistic excellence and cultural dialogue amid rapid digital growth.
**Action Required**
They must continue to dedicate sections to restored classics and provide platforms for experimental cinema while regulating quality across expanding festival circuits.
**Media (Journalists, Bloggers, and Vloggers)**
**Impact**
MIFF provides a centralized hub for accessing high-quality media assets and direct interaction with industry professionals.
**Action Required**
Media professionals interested in interviews should contact the MIFF media desk via the provided email with the subject line "Take One with PIB."
Key Entities Referenced
19th Mumbai International Film Festival (MIFF): The primary event hosting the round table discussion focused on diversity, innovation, and the evolution of film festivals.
National Film Development Corporation (NFDC): The central agency represented at the event, responsible for film preservation and managing major film festivals in India.
Federation of Film Societies of India: An organization that promotes cinema culture and the film society movement as a community-driven activity.
Society for Adivasi Film Development Foundation (SAFDF): An organization focused on providing cinematic platforms for indigenous and tribal communities to share their stories.
Docedge Kolkata: Asia’s first documentary incubator mentioned as a key institution for mentorship and support of documentary filmmakers.
Many Forms, One Vision: In
MIFF Round Table, film
festival veterans highlight
Diversity, Innovation and
Community in Film Festivals
Authentic Voices and Mother-Tongue
Storytelling Are Reshaping Global Cinema,
opines Anand Varadaraj
“Film Festivals Sustain Community Viewing
and Strengthen Film Culture, says
Premendra Mazumdar
Animation Needs Greater Recognition,
Support and Global Opportunities: Savitri
Hari
Growing recognition of films rooted in local
traditions and languages as evidence that
authenticity can transcend geographical
boundaries, states Deepak Kumar Beshra
Documentaries Drive Public Discourse and
Preserve Historical Consciousness: NilotpalMajumder
Film festivals provide an important platform
for experimental and non-commercial
cinema: Patricia Sanchez Mora
Mumbai, 18 June 2026
Film festivals play a crucial role in celebrating diverse voices, nurturing emerging talent, preserving
cinematic heritage and fostering cultural exchange, speakers observed during a round table discussion
titled “Many Forms, One Vision: Celebrating Diversity in Film Festivals” held today on the
sidelines of the 19th Mumbai International Film Festival (MIFF).
Bringing together filmmakers, critics, festival directors and industry professionals, the discussion
explored how film festivals continue to evolve in an era marked by technological innovation, changing
audience habits and the growing demand for authentic storytelling.
Moderating the session, award-winning actress Sheena Chohan emphasized the power of
storytelling in connecting people across cultures and experiences. A film festival allows audiences to
see the world through different perspectives and engage with stories that can broaden understanding
and empathy, she said in her opening lines for the discussions. The films that remain with viewers
long after the credits roll are often those that express universal truths through local experiences, she
noted.
Speaking on the unique experience of watching films in a festival setting, Anand Varadaraj, Founder
and Artistic Director of the Bengaluru International Short Film Festival (BISFF) said, cinema remains
fundamentally a collective experience. Watching a film in a darkened theatre with others creates a
shared emotional journey that cannot be replicated elsewhere. The communal response of audiences
to a powerful scene reflects the essence of cinema as an art form, he observed. He also highlighted
changing trends in global cinema, pointing to the increasing number of films being made in non-
mainstream languages. Filmmakers and writers are increasingly choosing to create in their mother
tongues, resulting in richer and more authentic narratives. He noted that many compelling films are
now emerging from smaller towns and remote regions rather than only metro cities. At the same time,
filmmakers are adopting animation, visual effects and artificial intelligence as creative tools to tell their
stories.
Discussing the growing popularity of short films, he said that audiences today seek content that fits
contemporary lifestyles while still offering meaningful storytelling. In these times when time is a
luxury, film festivals perform an important curatorial function by identifying and showcasing quality
short-form cinema. Festivals also help introduce audiences to lesser-known works of legendary film-
makers. Ritwik Ghatak’s short films were showcased by them in BISFF and then audiences came to
know that the maestro made great short films as well.NFDC MD, Shri Prakash Magdum; film critic and author Premendra Mazumdar; filmmaker Nilotpal
Majumder; Anand Varadaraj, Deepak Kumar Beshra, Savitri Hari, Patricia Sánchez Mora, and
moderator actress Sheena Chohan, during the Round Table session on "Many Forms, One Vision:
Celebrating Diversity in Film Festivals," at the 19th Mumbai International Film Festival (MIFF 2026) on
June 18, 2026.
Highlighting the role of film festivals in shaping cinema culture, film-critic and Vice President of the
Federation of Film Societies of India, Premendra Mazumdar, described cinema as a collective art
form and film viewing as a community activity. He said film festivals are a natural extension of India’s
long-standing film society movement, which has played a significant role in promoting meaningful
cinema across the country. He also noted that the digital revolution has contributed to the rapid
growth of film festivals around the world. While this expansion has created more opportunities for
filmmakers, it has also brought challenges related to quality and regulation. He stressed the need to
preserve the values that originally inspired the film festival movement, including the promotion of
artistic excellence and cultural dialogue.
Premendra Mazumdar also pointed out that film festivals continue to attract audiences across
generations. Unlike commercial screenings, festival audiences often include filmmakers, critics and
cinema enthusiasts, creating an environment that encourages deeper engagement with films. Many
acclaimed filmmakers, he added, first gained recognition through festival circuits.
Addressing the opportunities and challenges facing animation filmmakers, Savitri Hari, Consultant
with the Telangana VFX, Animation and Gaming Association (TVAGA), observed that animation is still
often viewed primarily as a medium for children’s entertainment. This perception creates barriers in
financing and distribution despite the artistic and storytelling potential of animation. She noted that
Indian animation is increasingly gaining visibility at international festivals. However, language
preferences and distribution practices can limit the global reach of many projects. Savitri Hari
encouraged filmmakers to be prepared not only creatively but also commercially by developing
intellectual property strategies and understanding international markets. Film festivals can help
creators connect with mentors, industry professionals and global audiences, she added.
Prakash Magdum, Managing Director of the National Film Development Corporation (NFDC),
highlighted the importance of preserving films for future generations. Film preservation, he said,
ensures that cinematic history remains accessible to the coming generations and newer audiences.
This explains why many major film festivals around the world now feature sections dedicated to
restored classics. He also spoke about the impact of technology on filmmaking and film festivals.Digital platforms have made it easier for filmmakers from diverse backgrounds to submit their work to
festivals across the world. At the same time, advances in animation, motion graphics and artificial
intelligence are expanding creative possibilities. Referring to MIFF’s curated section on AI films, he
said audiences ultimately respond to emotional authenticity rather than the technology used to create
a film.
For award-winning filmmaker Deepak Kumar Beshra, founder of the Society for Adivasi Film
Development Foundation (SAFDF) and the Baripada National Indigenous Short Film Festival,
authenticity remains the key to audience engagement. He said film festivals provide invaluable
opportunities for indigenous and tribal communities to share their stories with wider audiences.
Deepak Kr. Beshra noted that audiences often connect most strongly with stories that reflect their own
lives, cultures and experiences. He pointed to the growing recognition of films rooted in local
traditions and languages as evidence that authenticity can transcend geographical boundaries and
appeal to global viewers.
The evolving landscape of documentary filmmaking was addressed by Nilotpal Majumder, Founder-
President of Docedge Kolkata, Asia’s first documentary incubator. He observed that Indian
documentaries have undergone significant transformation over the past decade, with filmmakers
exploring a wider range of subjects and storytelling approaches. Documentaries, help create historical
consciousness by bringing together issues, emotions and lived realities, he added. While many
documentary filmmakers continue to work with limited resources, their commitment and passion have
resulted in a growing body of impactful work. He emphasized the need for mentorship, skill
development and institutional support to help emerging documentary filmmakers realise their
potential.
Offering an international perspective, Patricia Sanchez Mora, Director of L’Alternativa PRO and
EXTREMLAB Fest said, film festivals provide an important platform for experimental and non-
commercial cinema. They enable filmmakers to discover creative practices from different parts of the
world while fostering dialogue and collaboration across cultures.
The discussion concluded with a shared recognition that film festivals remain vital spaces for artistic
exploration, cultural exchange and community engagement. By championing diverse voices,
encouraging innovation and creating opportunities for meaningful interaction between filmmakers and
audiences, film festivals continue to strengthen the global language of cinema while celebrating the
uniqueness of local stories. In the concluding segment of the discussion, the panellists reflected on
the fundamental purpose of filmmaking. A common view that emerged was that filmmakers must first
be deeply convinced about the story they wish to tell and whether cinema is the most effective
medium to tell it. They emphasized that films should be driven by authenticity and conviction.
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